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The Adventures of Huckleberry Finn, Mark Twain’s sequel to The Adventures of Tom Sawyer, became an instant success in the year of its publication, 1884, but was seen by some as unfit for children to read because of its language, grammar, and "uncivilized hero." The book has sparked controversy ever since, but most scholars continue to praise it as a modern masterpiece, an essential read, and one of the greatest novels in all of American literature. Twain’s satiric treatment of racism, religious excess, and rural simplicity and his accuracy in presenting dialects mark Huck Finn as a classic. His unswerving confidence in Huck’s wisdom and maturity, along with the well-rounded and sympathetic portrayal of Jim draw readers into the book, holding them until Huck’s last words rejecting all attempts to "sivilize" him.

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Perfect for Teachers	Customer Rating:
I have heard about many of the essays included in this text and was excited to find that I could get them all in one book. I love the footnotes for additional information and the fact that the essays include both sides to teaching this book. I highly recommend for anyone who needs to know more about this classic text.

Ole Huck

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You'll notice pretty quickly when you pick this up that Huck doesn't spell too good and his grammar isn't so hot either. But if you look a little more closely, you find that he sure knows how to use the semi-colon, and his sentence structure is picture perfect. Mr. Twain may have decided that he was going to have some fun with his charming narrator, but he sure wasn't going to sacrifice good writing to do so. The novel, as everyone knows, is a masterpiece, and works splendidly on every level. Plot, character development, theme; everything is here. Anybody reading this review has probably read the book several times and moreover has probably read about it a dozen more so it's pretty certain that my little review is not going to add much. I would, however, like to comment on something which struck me while reading it most recently, which is how richly it evokes middle America of the mid-nineteenth century. In other words, as well as being literature of the first rank, Huckleberry Finn also functions as a thorough and fascinating historical document of a time and place that every year sinks deeper and deeper into our collective memory. Here he is describing Uncle Silas' place in Arkansas upon seeing it for the first time. "It was one of these one-horse cotton plantations and they all look alike. A rail fence round a two-acre yard; a stile made out of logs sawed off and up-ended in steps, like barrels of a different length, to climb over the fence with . . . some sickly grass-patches in the big yard, but mostly it was bare and smooth, like an old hat with the nap rubbed off; big double log house for the white folks--hewed logs with the chinks stopped up with mud or mortar, and these mud stripes been white-washed some time or another; round log-kitchen, with a big, broad open but roofed passage joining it to the house . . . hound asleep there in the sun; more hounds asleep round about . . . outside of the fence a garden and a watermelon patch; then the cottonfields begins, and after the fields the woods." The first thing that strikes you about this is how . . . impoverished this all is, especially compared to how we live today. And this is a cotton-field owner with a number of slaves! But this was the south: rural, poor, hot, languid. Oh, yes, we are all familiar with the palatial southern mansion from novels like Gone With the Wind; I suspect that most of the South in the 1840s was closer to Huck's description than to Margaret Mitchell's. Here's Huck's description of the town in which the King and Duke put on their first show: "The stores and houses was most all old, shackly, dried-up frame concerns that hadn't ever been painted; they was set up three or four feet above ground on stilts, so as to be out of reach of the water when the river was overflowed. The houses had little gardens around them, but they didn't seem to raise hardly anything in them but jimpson-weeds, and sunflowers, and ash-piles, and old curled up boots and shoes, and pieces of bottles, and rags, and played-out tinware . . . There was generly hogs in the garden, and people driving them out." Charming, eh? Of course, we in our modern twenty-first century aren't immune to such slovenliness. Sometimes, historical descriptions remind us that things don't change much. Along with his brilliant observations of humanity and the human habitat the novel also contains breathtaking descriptions of nature, especially the Mississippi River. There's heavy timber on the Missouri side, mountains on the Illinois side, the lights of St. Louis: "We run nights, and laid up and hid daytimes; soon as night was most gone we stopped navigating and tied up--nearly always in the dead water under a towhead . . . Next we slid into the water and had a swim, so as to freshen up and cool off; then we sat down on the sandy bottom where the water was about knee-deep, and watched the daylight come. Not a sound anywhere--perfectly still--just like the whole world was asleep, only sometimes the bullfrogs a cluttering, maybe. The first thing you see, looking away over the water, was a kind of dull line--and that was the woods on t'other side." How wonderfully evocative this is; how it makes one ache to experience such things! Again, the novel is so much more than this. I'm not going to bother with the theme and the plot and the characters--what else is there to say?--but I can not finish this without giving an example or two of the wonderful humor contained in here. Here's the charming Huck after sneaking into the circus under the tent: "I ain't opposed to spending money on circuses when there ain't no other way, but there ain't no use in wasting it on them." And when the King and the Duke run on hard times: "First they done a lecture on temperance, but they didn't make enough for them both to get drunk on. Then, in another village, they started a dancing-school; but they didn't know no more than how to dance than a kangaroo does, so the first prance they made the general public pranced in and pranced them out of town . . . " Oh, how rich this is. Rich and funny and lovely and hilarious. Read it for the pure entertainment contained in here, if nothing else.

Both a wry observation of 19th century America and a classic adventure tale

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I was introduced to this book back in high-school (in Australia), where my English Literature teach (who was an American) used this as one of our set texts. Despite this, I really enjoyed it, and now, near 20 years later, I picked it up in some second hand book shop for $1.50 and got engrossed in it all over again. Mark Twain (not his real name) sailed the Mississippi river as a riverboat pilot early in his career, and the truth of his depiction of people and way of life in this novel shines through, despite the fanciful nature of the adventure. I couldn't help but get caught up in the crazy tale of Huck Finn, hopeless trouble-magnet that he is, as he struggles to get free of his troubles with the less-than-helpful assistance of a large cast of characters. The language is a joy to read. The characters are fun to follow. And although the plot isn't the most complex, the characters themselves do a fabulous job of making the simple into convoluted mayhem. Several times I had to laugh out loud at the absurdity. Even though I picked this book up cheap, it's well worth hanging onto. I can easily see myself re-reading this again - hopefully before another 20 years pass!

Everyone should read this	Customer Rating:
Wonderful book. Everybody should read it. Mark Twain is a genius. I don't care at what age you read this book whether a child or studying it in college you should read it. Read it for the story line, the literary technique and the deeper meaning.

YOU CANT RUN AWAY FROM TROUBLES.

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"You can't run away from trouble. There ain't no place that far." Uncle Remus Huck and Jim take to the river to escape their troubles, but trouble dogs them every foot of the way. In fact, both Jim & Huck were within days of liberation when they eloped. They literally escaped from freedom. The slavery and such are interesting sideshows, but Twain makes it pretty clear Jim wasnt mistreated, and freedom was always across the river, north & east, if Jim wanted physical freedom. Freedom was NOT down the river in the heart of the Deep South. All of this is metaphor for running away from your troubles.